Friday, November 21, 2014

San Francisco Airport Terminal 3 -- ART



A Wind Flower  2012 Lee Kang Hyo (b. 1961) stoneware with white slip and ash glaze Courtesy of Mindy Solomon Gallery L2014.1205.002
Tall Bottle  2012 Lee Inchin (b. 1957) stoneware with natural wood ash glaze Lent by the artist L2014.1206.006  Bottle Form  1997 Lee Inchin (b. 1957) stoneware with natural wood ash glaze Lent by the artist L2014.1206.007  Flower Vase  2002 Lee Inchin (b. 1957) stoneware with natural wood ash glaze Lent by the artist L2014.1206.004On my way home, I had a chance to check out the art in Terminal 3. As always it was beautiful!

Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.

 Yeollimun Vases  1979 Roe Kyung Jo (b. 1951) porcelain with marbled design Lent by the artist L2014.1203.009-.010

Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions. - See more at: http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions. - See more at: http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions. - See more at: http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions. - See more at: http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned British studio potter Bernard Leach once acknowledged that Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions. - See more at: http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Terminal 3
Terminal 3

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