
On my way home, I had a chance to check out the art in Terminal 3. As always it was beautiful!
Renowned British studio potter Bernard Leach once acknowledged that
Korean potters are admired for their naturalism and spontaneity in creating ceramics. Scholars have attempted to define the beauty of Korean ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics have been produced by the second nature of matured, skilled hands, sometimes transcending any rules, knowledge, and intentions.
Renowned
British studio potter Bernard Leach once acknowledged that Korean
potters are admired for their naturalism and spontaneity in creating
ceramics. Scholars have attempted to define the beauty of Korean
ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics
have been produced by the second nature of matured, skilled hands,
sometimes transcending any rules, knowledge, and intentions. - See more
at:
http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned
British studio potter Bernard Leach once acknowledged that Korean
potters are admired for their naturalism and spontaneity in creating
ceramics. Scholars have attempted to define the beauty of Korean
ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics
have been produced by the second nature of matured, skilled hands,
sometimes transcending any rules, knowledge, and intentions. - See more
at:
http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned
British studio potter Bernard Leach once acknowledged that Korean
potters are admired for their naturalism and spontaneity in creating
ceramics. Scholars have attempted to define the beauty of Korean
ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics
have been produced by the second nature of matured, skilled hands,
sometimes transcending any rules, knowledge, and intentions. - See more
at:
http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned
British studio potter Bernard Leach once acknowledged that Korean
potters are admired for their naturalism and spontaneity in creating
ceramics. Scholars have attempted to define the beauty of Korean
ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics
have been produced by the second nature of matured, skilled hands,
sometimes transcending any rules, knowledge, and intentions. - See more
at:
http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Renowned
British studio potter Bernard Leach once acknowledged that Korean
potters are admired for their naturalism and spontaneity in creating
ceramics. Scholars have attempted to define the beauty of Korean
ceramics as “artless art” or “unplanned plan.” Indeed, Korean ceramics
have been produced by the second nature of matured, skilled hands,
sometimes transcending any rules, knowledge, and intentions. - See more
at:
http://www.flysfo.com/museum/exhibitions/dual-natures-ceramics-eight-contemporary-artists-korea#sthash.6GYnLbZJ.dpuf
Terminal 3
Terminal 3